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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2017年5月30日 星期二

Three-story home bringing a sense of enclosure to the rear yard


http://www.caandesign.com/three-story-home-bringing-sense-enclosure-rear-yard/

Three-story home bringing a sense of enclosure to the rear yard

Architects: The LADG
Location: Silver LakeLos AngelesUnited States
Year: 2017
Area: 1.894 ft²/ 176 m²
Photo courtesy: Nathaniel Riley
Description:
“The Los Angeles Design Group has recently completed a transformative residential renovation in Silver Lake, Los Angeles, California, reconfiguring a hermetically sealed box into a lightfilled,1,894 squarefoot, threestory home. The design draws inspiration from the iconic stepped form of Marcel Breuer’s former Whitney Museum in New York, yet in reverse. Whereas Breuer cantilevers his building toward the busy Manhattan street to provide shelter for a sunken courtyard garden, the LADG cantilevers the house in three steps over the rear yard, bringing a sense of enclosure to the rear yard against a steep hillside. Two of the house’s windows also nod to Breur, referencing his angular forms.
The first window is a torqued cutout in the front facade that reorients the view from the master bedroom towards the Silver Lake Reservoir, providing a cinematic experience of the immediate surroundings. The second window juts out into the backyard, framing the hillside. Programmatically, the house itself is upside down, with an unusual splitlevel configuration that results in two floors in the front and two floors in the back. These levels are filled with bedrooms, bathrooms, and the study, while the newly constructed top floor—a wide open plinth that sits atop the split levels—contains the kitchen, living, and common areas.
As a result, the social space normally adjacent to the yard is instead perched on top. The exterior facade of the house is predominantly charred cedar wood, with natural wood on select surfaces to emphasize the cuts made into an otherwise solid monolith.”
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