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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2016年2月17日 星期三

Bridged House: Two existing houses of different ages and styles as one by Ida&Billy Architects


http://www.caandesign.com/bridged-house-two-existing-houses-of-different-ages-and-styles-as-one-by-idabilly-architects

Bridged House: Two existing houses of different ages and styles as one by Ida&Billy Architects

Architects: Ida&Billy Architects
Location: Kowloon Tong, Hong Kong
Year: 2015
Photo courtesy: Ida&Billy Architects
Description:
The Bridged-House plan joins two existing places of various ages and styles as one, spatially, tastefully and profoundly, while keeping the character of two houses for the two eras. One noteworthy test is their being isolated on a level plane by the current long swimming pool, and vertically by a 3m level-change between their parlor floors.
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The scene plinths are decimated for a liberal Middle Garden extending the site’s profundity. The swimming pool, with all encasing dividers brought down, floods to frame a setting for the Garden.
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Another steel span interfacing the houses at second level, glides over the Middle Garden. This day by day way of meeting, together with the Middle Garden and the pool, frame the center of the house.
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The houses’ unique marble cladding were peeled off, and supplanted with white paint and enormous rectangular windows. Timber parapet-tops add highlights to the impartial shading, together with the trees’ green.
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Inside, the primary floor is communicated as the “ground” datum – light-dark stone deck reaches out to scene, streaming water as foundation for feasting.
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Timber steps lead to the personal “home” datum – the folks’ home has a tranquil cocoa timber flooring, and the children’s an exuberant yellowish one. The two houses ignore one another, similar to neighbors in a town, and connected up by the scaffold.
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Stairs are communicated as a display of structure and light. The current structure is controlled with new overhangs and windows openings to frame persistent lines or fixes of structures. Tailor-made handrails underline touching and snatching. Over, the bay windows are intended to shroud the glass edges, to obscure the limit in the middle of inside and outside.
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The penthouse is finished with board reasonable confronted solid section, which unpleasant composition and bond shading binds back to the nature, and echoes to the reasonable confronted solid wall divider one first experiences before going into the house.
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