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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2018年12月19日 星期三

IT IS A GARDEN project designed to provide inspiration more than anything else


https://www.caandesign.com/garden-project-designed-provide-inspiration-anything-else/?utm_source=facebook&utm_medium=social&utm_campaign=ReviveOldPost

IT IS A GARDEN project designed to provide inspiration more than anything else

Architects: ASSISTANT
Location: NaganoJapan
Year: 2016
Photo courtesy: ASSISTANT
Description:
“IT IS A GARDEN stands in the forest of Karuizawa, surrounding and surrounded by the trees and plants of the forest. The house was designed as a guest house containing a private art gallery for the owner’s collection.
Its shape being flat and square, the one-story house has a floor plan entirely defined by five courtyards alone. All facades of the building are made of concrete walls and black glass, clearly dividing its interior space from the external environment.
The house opens its reinforced concrete roof to the sky in order to create five courtyards. The exterior roofs tilt inwards only vertically inviting light as well as shadows and reflections of the surrounding nature. The interior roofs and floor levels consequently create rhythmical geometry to support the simplicity of the exterior. All rooms are designed to face the courtyards each of which is distinct in character designed to receive light at different times of the day. The sun rises and sets. The moon waxes and wanes. This unbroken rhythm of light, to which we submit the entire architecture, defines this house.
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In the design of IT IS A GARDEN, the concept of vertical interplay of the sun through the courtyards crosses with the horizontal connection to the Japanese natural sceneries. The architecture’s volume is designed to receive those elements in all dimensions; the slants of light at ever-changing angles, the shadow of the forest trees, as well as komorebi—the interplay of light and leaves. They keep moving and draw a garden of shadows all over the floor at the speed of the moving sun and wind. The interior glass walls and windows create a garden of kaleidoscopic reflections of trees and plants projected on them from every courtyard.
Not only the courtyards, but such gardens made of immaterial elements that emerge between interplay of vertical and horizontal relationships to nature are also the gardens meaningfully designed in this house.
Light and shadows move freely as if they were the main inhabitants of this house. The client of the house desired it to be a private space to provide inspiration more than anything else. The architects answered that the first priority of this house should become the sunlight—light being the permanent host, closest cohabitant.”






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