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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2018年12月24日 星期一

A modern, yet archaic architecture of the walls for a house in Paradise Valley


https://www.caandesign.com/modern-yet-archaic-architecture-walls-house-paradise-valley/?utm_source=facebook&utm_medium=social&utm_campaign=ReviveOldPost

A modern, yet archaic architecture of the walls for a house in Paradise Valley

Architects: Marwan Al-Sayed Inc.
Location: Paradise Valley, United States
Year: 2015
Photo courtesy: Marwan Al-Sayed Inc.
Description:
“A ten acre desert site that contains two desert washes. A modern, yet archaic architecture of walls that contain space and space that contains walls.
Space becomes thinned out form and form becomes condensed space. Massive walls inscribed in the earth. From above, snake like and calligraphic in form blurring boundaries between outside and inside, courtyards and rooms, container and contained.
Wonderful vistas to both nearby desert landscapes and distant peaks. Walls are introduced, repetitively and deliberately, compressed and then elongated as the space or view dictates.
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Snake like mass walls of light 3” Veracruz Mexican saw cut limestone, moving in and out of the living spaces, blurring boundaries…light fabric overhangs delicately suspended between the mass walls. Walls containing space, life, courts, water, trees, laughter, thoughts and shadows.
The stacking of the stone is inspired by both memories of a beautiful Japanese bamboo cutting board, with its even and subtle yet irregular offsets…..as well as the work of abstract painter Agnes Martin….repetitive with subtle differences creating a complex box of depth and surface. The effect is not unlike a mother of pearl box, created by the shimmering variations of the stone and how it is laid, both regularly yet with deliberate variation. Roland Barthes “repetition differente”.
Slowly a pattern emerges, shifts and then unwinds. Repetitive but not repeated, Even – here, elongated – there ….extended, here compressed there. Subtle varieties of color, texture, line all effect to create a richness of experiences for daily life.
The slicing of stone left exposed, the splash of water, the capture of light…the walls exclude what is weak and undesired so that what is vibrant and alive can flourish in peace.
A modern timeless ruin in the Sonoran desert, inhabited by the softness of the bodies within and the glimpses of shimmering landscapes and light particular to the desert outside.”




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