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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2018年4月24日 星期二

Reconstruction of a Villa in Ljuta by Enforma Studio


https://www.caandesign.com/reconstruction-of-a-villa-in-ljuta-by-enforma-studio/

Reconstruction of a Villa in Ljuta by Enforma Studio

Architects: Enforma Studio
Location: Ljuta, Montenegro
Year: 2014
Area: 230 sqm
Photo courtesy: Relja Ivanic
Description:
As a witnesses of strict standards in preservation of the conventional structures in Kotor Bay, which is Unesco secured range, we chose to maintain a strategic distance from anticipated that arrangements and would acquire contemporary methodology resuscitating of the inside building design of the old stone house in Ljuta town. This intertwining of the customary standards and present day needs conveyed another life to the building which exist from XIX century.
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We set out to make a lavish living arrangement from the current house whilst in the meantime making so as to stick to protection conditions negligible mediations to the conventional, rococo components of the outside.
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We began by mapping out units of space, ambients, as a premise for improvement of the idea. This treatment of inside space empowered us to take a more liberated way to deal with the recreation of the house. We partitioned the inner space into three unmistakable zones: zone one – dozing zone, zone two – focal display, zone three – chimney territory and youngsters’ room.
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The focal exhibition is the liquid space that characterizes these zones by giving a vertical division of the left and right sides of the building and also a visual association of the levels. To make this impact we needed to dematerialise the associations between the sides of the building (as appeared in the photo?) which we accomplished by planning an extension and staircase built from glass and steel.
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The right half of the building is practically more mind boggling than the dozing territory. It comprises of a family room on the ground floor, a chimney range and a kids’ room. The chimney region is connected by a glass extension to whatever is left of the space with a glass allotment divider to the side. The little girl’s room is lined with wooden boards and is situated at the exceptionally top of the house, totally isolate from alternate rooms. The parlor and chimney range are free spaces while in the meantime being open, outwardly associated parts of the entire house. Interestingly the kids’ room is composed as a different home inside of a home drawing on the motivation of a customary kid’s treehouse.
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We played with cutting edge and conventional components and normal materials to give those in the house a chance to appreciate the current ‘spirit’of an old stone building while satisfying the stylish and practical necessities of a present day way of life. The conventional staircase on the ground floor, the created iron fittings and the blend of steel with stone and mortar dividers were vital to this. The primary idea was to exhibit a ‘materialised’building binding together the components of stone, glass, wood and steel.
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Thank you for reading this article!

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