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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2016年2月10日 星期三

Casa MM Casa by Elías Rizo Arquitectos


http://www.caandesign.com/casa-mm-casa-by-elias-rizo-arquitectos/

Casa MM Casa by Elías Rizo Arquitectos

Architects: Elías Rizo Arquitectos
Location: Tapalpa, Mexico
Year: 2014
Photo courtesy: Marcos García
Description:
Casa MM Casa introduced a strange test for us. Two siblings who claimed a significant stretch of area in Tapalpa drew closer us with the goal of building two separate houses. As we delved into the venture’s requirements we understood that both of our customers had comparable needs keeping in mind they wouldn’t fret, and truth be told favored, that the houses share a typical dialect, every one needed to pass on its own solitary identity. The geography of the site forced its own particular arrangement of variables that brought about further slight adjustments in the configuration of every house.
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A comparable arrangement of needs was actualized in dimensioning spaces and setting up spatial connections between capacities.
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Access to both structures turned into an essential worry in our configuration. In spite of the fact that the passage design and successions were essentially determined by capacity, the customers communicated a longing that passageway into the houses be considered as an involvement in its own particular right. We then continued to explain the passage modules with their different spaces (mud room, carport, stockpiling, and administration quarters) around open patios that get the attention and permit sunshine in.
Casa-MM-Casa-03
Both structures are formed by a requirement for adaptable utilization of space, and a craving to associate with the outside. All through the houses one finds that a vast degree of dividers and windows are indeed operable allotments that can be concealed totally from sight to unite adjoining spaces with related capacities, or to open the house to its environment.
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House A, which was based on the higher piece of the property, keeps up a more thoughtful person air. Its floor arrangement shows a slight precision that recognizes it from House B, and the majority of its spaces are organized around and open yard. Beside the main room, which stands off-pivot and in part separated from whatever is left of the house, all quarters contain a mezzanine level with extra beds.
Casa-MM-Casa-05
House B shares the general design and spatial succession of House A, however shows a strict, rectilinear floor arrangement which watches out past the property’s edge. Not at all like House An, its quarters are on a solitary level.
Casa-MM-Casa-06
The uncovered steel structure, with its spotless lines and its stark geometry, goes about as a trained three-dimensional form, encircling planes and volumes clad in crude surface, which thus reverberate an immediate relationship to the structures’ regular setting.
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Thank you for reading this article!




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