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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2016年1月27日 星期三

Wooden Starbucks Interior Design in Fukuoka by Kengo Kuma and Associates


http://www.caandesign.com/wooden-starbucks-interior-design-in-fukuoka-by-kengo-kuma-and-associates/?utm_content=bufferc71ea&utm_medium=social&utm_source=plus.google.com&utm_campaign=buffer

Wooden Starbucks Interior Design in Fukuoka by Kengo Kuma and Associates

Location: Fukuoka, Kyushu, Japan
Year: 2008
Area: 213 sqm
Photo courtesy: Masao Nishikawa
Description:
Location of this Starbucks is somehow characteristic, as it stands on the main approach to the Dazaifu Tenmangu, one of the most major shrines in Japan. Established in 919 A.D., the shrine has been worshiped as “the God for Examination,” and receives about 2 million visitors a year who wish their success. Along the main path to the shrine, there are traditional Japanese buildings in one or two stories. The project aimed to make a structure that harmonizes with such townscape, using a unique system of weaving thin woods diagonally.
Starbucks-Fukuoka-01
The building is made of 2,000 stick-like parts in the sizes of 1.3m – 4m length and 6cm section. Total length of the sticks reached as far as 4.4km. We had experimented the weaving of sticks for the project of Chidori and GC Prostho Museum Research Center, and this time we tried the diagonal weaving in order to bring in a sense of direction and fluidity. Three sticks are joined at one point in Chidori and GC, while in Starbucks four steps come to one point because of the diagonal – a more complicated joint.
Starbucks-Fukuoka-02
We solved the problem by slightly changing positions of the fulcrums, dividing the four sticks into two groups to avoid concentration on a single point. Piling up of small parts from the ground was highly developed in the traditional architecture of Japan and China. This time the method was greatly improved in combination with state-of-the art technology so that people are brought further into the architecture. It is a fluid, cave-like space.
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