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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2016年7月3日 星期日

De Wet 34 by SAOTA


http://www.caandesign.com/de-wet-34-by-saota/?utm_content=buffercbe93&utm_medium=social&utm_source=plus.google.com&utm_campaign=buffer

De Wet 34 by SAOTA

Architects: SAOTA
Location: Bantry Bay, Cape Town, South Africa
Interior Design: OKHA Interiors – Adam Court
Year: 2012
Photo courtesy: Adam Letch, SAOTA
Description:
The site is situated in the heart of Bantry Bay in Cape Town, on the slants of Lion’s Head sitting above the narrows. The brief was to make a home with all the display of an Atlantic Seaboard show-stopper additionally to react to the viable needs of family life and to make a sentiment haven.
de-wet-34-saota-stefan-antoni-olmesdahl-truen-architects_dewet34_1a_int_102_lounge_002_saManufactured more than four stories, the living regions are open-arrangement yet have particular characters. A moderate weathered redwood and dark shale road façade opens on to a sculptural landing yard which thus prompts a passageway display. Sensational volume, expansive perspectives, model and crude compositions – rock, timber, concrete – are the foundations of this house, intended to frame a canvas for the setting and build up a patina after some time.
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The Family room, set on the mountain side of the patio greenery enclosure, accommodates covered living while the two fold volume Living and Dining range as an afterthought is more emotional, with its undulating solid element chimney divider and instructing perspectives. This sea fronting segment is a taking off space tied down by cement and shake – a five-ton mixed drink bar of harsh cut stone holds down one side of the living space. Although – arranged, with the pool patio toward the west, the principle Living region additionally opens onto the yard garden on the east, with access to both by the method for sliding glass entryways which open up so totally that it’s minimal more than a roofed outside space.
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One slips through a twofold volume ‘submerged’ chamber to the Bedroom floor and down another level to the Guest and Playroom regions.
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The insides make a passionate and tactile voyage when traveling through the house. Furniture are negligible and lines are kept basic and impartial. By using a limited and crude base of surfaces and completes, the stylistic theme feels normal and quietly natural; the general vibe is one of quiet and tranquility. Shading is kept to an absolute minimum; the inside works transcendently with a light and shade tonal reach, permitting perspectives of the mountain, the sea and sky, furthermore the fine art to present the colour.
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