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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2017年7月21日 星期五

Alexander Brenner Architects design the Bredeney Contemporary House in Essen, Germany


http://www.caandesign.com/alexander-brenner-architects-design-bredeney-contemporary-house-essen-germany/

Alexander Brenner Architects design the Bredeney Contemporary House in Essen, Germany

Architects: Alexander Brenner Architects
Location: EssenGermany
Year: 2015
Photo courtesy: Zooey Braun
Description:
“The Brucker-Holt District in Essen was constructed in its present form n the 1960s. On the clearing formerly used for agriculture, flat, sedate villas were constructed on extensive properties in those days and were characterised by one conspicuous feature: they all have generous front gardens without any encircling hedges or fences. Only later, the more than head-high evergreen hedges and fence systems were added.
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The Bredeney House with its generous driveway in an open, semi-public front garden, however, takes reference from the partly still existing 1960s houses. A separation from the public space is only achieved by the level of the house itself.
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As regards its modesty, the large, lying building is to a greater extent also oriented by earlier buildings in this quarter. It rather sees itself as a manifesto against the much too extensive arbitrariness of today’s »villa architecture«. The house would like to be a sedate and timeless urban component, which appears in full sunshine as well as under the moon’s blue clarity as if it has always been there.
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The interior programme of the residence follows the wishes expressed by the residents and naturally rests on the existing topography. A hall connects the 4-metre (13-foot) high ground level accommodating the kitchen, the dining and living areas to the wing with private rooms. The parents’ area is located half a storey above the living level, whereas the children’s realm and the guestrooms are situated half a level in the opposite direction.
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All occupied rooms open up towards the garden via their inner corner, which is in the eastern section crossed by an oblong terrace. A simple cubic garden pavilion with transparent sides facing the house and the garden acts as a terminus of the terrace and adds an architectural corner point to the outdoor area.”
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