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【○隻字片羽○雪泥鴻爪○】



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既然有緣到此一訪,
何妨放鬆一下妳(你)的心緒,
歇一歇妳(你)的腳步,
讓我陪妳(你)喝一杯香醇的咖啡吧!

這裡是一個完全開放的交心空間,
躺在綠意漾然的草原上,望著晴空的藍天,
白雲和微風嬉鬧著,無拘無束的赤著腳,
可以輕輕鬆鬆的道出心中情。

天馬行空的釋放著胸懷,緊緊擁抱著彼此的情緒。
共同分享著彼此悲歡離合的酸甜苦辣。
互相激勵,互相撫慰,互相提攜,
一齊向前邁進。

也因為有妳(你)的來訪,我們認識了。
請讓我能擁有機會回拜於妳(你)空間的機會。
謝謝妳(你)!

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2016年5月31日 星期二

Rabbit Snare Gorge in Inverness, Canada by Omar Gandhi Architect + Design Base 8


http://www.caandesign.com/rabbit-snare-gorge-omar-gandhi-architect-design-base-8/?utm_content=buffer73e74&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer

Rabbit Snare Gorge in Inverness, Canada by Omar Gandhi Architect + Design Base 8

Architects: Omar Gandhi ArchitectDesign Base 8
Location: InvernessNova ScotiaCanada
Year: 2015
Photo courtesy: Doublespace
Description:
“Lawrence MacIsaac recalls stories of his great grandfather using the property to teach his sons how to snare rabbits, while his great grandmother commonly used the ‘laundry stone’ at the bottom of a small waterfall to wash clothing. With the extremely steep sides of the gorge it was difficult to do anything with the land, including the harvesting of trees, so it was left to grow wild.
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Before there was a site, there was an idea of a cabin in nature. As the Northeastern seaboard urbanized, the client longed for an escape to a wilder land. Arriving in Cape Breton, they found a culture and remoteness no longer common to the United States.
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To leverage the surrounding landscape, the home would put the outdoor environment on display and encourage the occupants to get out and explore the terrain. On a trip to Nova Scotia, Kevin Briody and Design Base 8 became fascinated with the built typologies of the region.
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After working closely with the client through numerous design iterations, Design Base 8, a design collective based in NYC, reached out to Omar Gandhi Architect of Halifax to collaborate on the final design, detailing, and construction process.
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The cabin at Rabbit Snare Gorge is the result. It is the first of three small creature-like structures hidden in the mysterious landscape.
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The cabin is the primary dwelling on a 46 acre parcel of land found on the rugged wooded coastline of rural Cape Breton. The cabin is a gently adapted gabled tower which allows it to reach above the forest canopy with two major viewing platforms, one oriented directly towards the ocean and the other along the length of the convergent brook valley.
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The landscape of Rabbit Snare Gorge is defined by the steep slopes of the Cape Breton Highlands, Acadian forest, deep gorges cut by a babbling brook, and the rocky cliffs of the Northumberland Strait. The elevated position of the site allows for a long, wide view of the entire property including the head of the gorge leading towards the ocean. The procession from this rough landscape into the cabin begins with the entry and bedrooms on the ground floor, a double height kitchen and dining room on the second floor, and lastly the living space on the third floor with the final lookout view of the entire property.
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The structure is linked to the local vernacular by a number of formal elements. The archetypal gable and shed forms of the cabin are combined to open views and follow the path of the sun, emphasize the major interior spaces, and accentuate the verticality of the tower, while efficiently shedding snow and rain. Traditional, local wood board cladding is used on the exterior of the cabin. The cabin’s steel entry hoop takes its shape from the entry windbreaks unique to the Cape Breton and Newfoundland coastal communities.
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The client, an avid outdoorsman and hobby arborist, has a sincere respect for the natural landscape. Therefore, sensitivity to site and ecological preservation was an early and major design parameter. The tower typology of the cabin offers elevated views and ample programming within a minimal footprint. However, the exposure of the sloped site means it endures the full brunt of heavy Atlantic rainstorms, winter Nor’easters, corrosive salt-spray from crashing swell, and strong suetes winds—local south-easterlies which accelerate down the Highland escarpment to reach speeds of over 200km/h.
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The strong, local suetes demand a robust structural system to withstand major lateral and uplift loads. The tall cabin combats these high winds through redundant sheathing—every solid plane, including the interior partition wall, contribute as shear walls, diaphragms and stacked compression rings. The windbreak, constructed out of welded weathering steel, is then hung from the framing.”
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Contemporary Spacious Skyline Apartment with stunning views over the city of Kharkov, Ukraine designed by SVOYA Studio



http://www.caandesign.com/contemporary-spacious-skyline-apartment-stunning-views-city-kharkov-ukraine-designed-svoya-studio/?utm_content=buffer36128&utm_medium=social&utm_source=plus.google.com&utm_campaign=buffer

Contemporary Spacious Skyline Apartment with stunning views over the city of Kharkov, Ukraine designed by SVOYA Studio

Architects: SVOYA Studio
Location: KharkovUkraine
Year: 2016
Photo courtesy: Alexander Angelovski
Description:
“This spacious apartment designed by Svoya Studio has awesome views over the city of Kharkov, created for a young couple with the dream of creating the perfect living space. The living room, kitchen and dining room provides welcoming meeting point for many people, where a compact but spacious and functional kitchen island plays a role in the communication and recreation.”
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So let your life......



So let your life 

when it disappears what you want ....




After all......



After all, 

there's always something you want to follow 

and not backtrack.




Albion Street Townhouse located in San Francisco by Kennerly Architecture & Planning


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Albion Street Townhouse located in San Francisco by Kennerly Architecture & Planning

Architects: Kennerly Architecture & Planning
Location: San FranciscoCaliforniaUSA
Year: 2016
Photo courtesy: Bruce DamonteJoe Fletcher
Description:
“A local developer asked Kennerly Architecture and Planning to design three new condominiums on a formerly empty lot that once housed San Francisco’s original Mission Dolores. The site is located at the T intersection of two smaller streets, where it terminates a block-long vista and commands views up to the towers of the present-day Mission Dolores and Twin Peaks in the distance. The building reinterprets San Francisco’s fine-grain urbanism as a sequence of figural urban spaces leading from street to court through transparent multilevel town homes to mid block gardens and patios.
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The primary design constraint was the need to remain sensitive both to the converted historic Union Hall that shares the same parcel and to the shared-access driveway that leads to parking beneath it. The solution co-opts this in-between space as a common entry promenade and court, while the building extends out and over with a broad cantilever, emerging as an exuberant bay window that reinterprets Union Hall’s traditional bay window in a contemporary manner.
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Internally, the building breaks into two volumes with a garden entry court in between. A walkway connects the two volumes: a four-story townhouse in front and two two-story units stacked on top of each other in back. All three homes have complex sections that respond to their situation: the Street House with its double height volumes and planted terraces in the front, the Garden House spilling out to the rear yard, and the Sky House above with its procession up to a broad deck with views across the city.
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Windows are deeply recessed to give the facades depth and texture and relate to the historic building next door. Ribbed glass provides privacy where needed. The volumes are clad in a highly durable white plastic decking material, counterpointed by the extensive use of stained wood, including mahogany doors at the entries. The exterior walls fold up and over to become a roof element. A large steel trellis at the roof level provides shade, while generous plantings in the courtyard and along the street create a tropical feel. Ornamental metal gates provide access to the exterior stairways.
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The project occupies a transit-rich mixed-use neighborhood where walking or biking is the preferred mode of transportation. The courtyard provides multiple light aspects and cross ventilation and minimizes conditioned common space. The sidewalk, driveway, and inner court are pervious, allowing water to percolate into native sandy soils. Planters and green roofs detain rain water as well. Extensive shading of windows allows access to views without active cooling. Other sustainable design elements include radiant underfloor heating, flooring manufactured from rapid-growing woods, low-VOC finishes, water-saving fixtures and irrigation systems, and energy-efficient lighting.”
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